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SEARCH RESULTS FOR

still life

Daniel Gräfen Daniel Gräfen
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Draw a box

Still life

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Daniel Gräfen Daniel Gräfen
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150g Yoghurt

How difficult is it to draw a Yoghurt Pot?

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Slobodchikov Alexander Slobodchikov Alexander
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Old watercolor sketches depicting stylized still lifes.

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Odinel pierre Odinel pierre
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NY wallet

Drawing of my wallet, bored trying to do still life the results came out good

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Sylwia J-D Sylwia J-D
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Still life

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Chemical Sister Chemical Sister
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Still life randoodle

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Anna Anna
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Fruitzz

colored pencils on paper

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Alex Green Alex Green
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Alis cafe, still life

A cold sunny day in January. Came in to eat and saw this little family waiting for me on the table.

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Anna Anna
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Sicily: façade and vase

Made with gel ink pen for a future art book about mediterranean way of life. glimpses of Sicily under vitamins

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Alx Bliss Alx Bliss
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Orange Still Life

Digital watercolor.

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Lora Sager Lora Sager Plus Member
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Scarlet still life

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Tom Hopper Tom Hopper
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Still life on cape cod

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Eliot McCann Eliot McCann
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Foliage (2024)

Trois crayons on Ingres tinted paper.

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Oksana Oksana
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Paper towels and JBL still life

Weird picking of stuff to draw together with Magic pencils))

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Stephen Stephen
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Fed by a Miracle of Compassion

Fed by a Miracle of Compassion Medium: Acrylic on canvas Size: 11”x14” Year: 2019 Artist: Stephen J. Vattimo Matthew 14:13-21 New American Standard Bible (NASB) Five Thousand Fed 13 Now when Jesus heard about John, He withdrew from there in a boat to a secluded place by Himself; and when the [a]people heard of this, they followed Him on foot from the cities. 14 When He went [b]ashore, He saw a large crowd, and felt compassion for them and healed their sick. 15 When it was evening, the disciples came to Him and said, “This place is desolate and the hour is already [c]late; so send the crowds away, that they may go into the villages and buy food for themselves.” 16 But Jesus said to them, “They do not need to go away; you give them something to eat!” 17 They *said to Him, “We have here only five loaves and two fish.” 18 And He said, “Bring them here to Me.” 19 Ordering the [d]people to [e]sit down on the grass, He took the five loaves and the two fish, and looking up toward heaven, He blessed the food, and breaking the loaves He gave them to the disciples, and the disciples gave them to the crowds, 20 and they all ate and were satisfied. They picked up what was left over of the broken pieces, twelve full baskets. 21 There were about five thousand men who ate, besides women and children. This illustration is part of a mural about the ministry of Jesus of Nazareth. The mural consists 9 images that depict the Miracles of Compassion Christ worked that are recorded in the Bible and He continues to perform in the world today. Understanding the symbolism in the painting. The basket of to fish and bread sits in the grass; Jesus had instructed His disciples to have the people sit down in the grass. Dead grass: the event took place in a desolate place. Historical and cultural illustration. Basket design: In the first century in the middle east people traveled on foot and when on a long journey they carried food with them. The common lunch pal during this time period was most likely a small wicker style basket with a removable lid, and a leather strap attached to it. So, a person can sling it across their shoulder for comfortable transportation. The basket would most likely be lined with a cloth wrap around the food to protect it from dust and bugs. The fish and bread: In John 6:1-15 which mentions the same event, tell us the 2 fish and five loaves of bread belong to boy, so most likely his meal was that of a poor person. The common fish that was eaten by the poor in this region and time period, were sardines. The five loaves of bread: Were most likely a type of flat bread which is commonly consumed by middle eastern people. The Bible verse that best communicates the message of this illustration is: Matthew 6:25-33 New American Standard Bible (NASB) The Cure for Anxiety 25 “For this reason I say to you, [n]do not be worried about your [o]life, as to what you will eat or what you will drink; nor for your body, as to what you will put on. Is not life more than food, and the body more than clothing? 26 Look at the birds of the [p]air, that they do not sow, nor reap nor gather into barns, and yet your heavenly Father feeds them. Are you not worth much more than they? 27 And who of you by being worried can add a single [q]hour to his [r]life? 28 And why are you worried about clothing? Observe how the lilies of the field grow; they do not toil nor do they spin, 29 yet I say to you that not even Solomon in all his glory clothed himself like one of these. 30 But if God so clothes the grass of the field, which is alive today and tomorrow is thrown into the furnace, will He not much more clothe you? You of little faith! 31 Do not worry then, saying, ‘What will we eat?’ or ‘What will we drink?’ or ‘What will we wear for clothing?’ 32 For the Gentiles eagerly seek all these things; for your heavenly Father knows that you need all these things. 33 But [s]seek first [t]His kingdom and His righteousness, and all these things will be [u]added to you. Written by Stephen J. Vattimo 3/25/2019

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Joselo Rocha Joselo Rocha
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Abstract Apples

A collection of plump red apples is artfully arranged in a bowl. The apples are depicted with vivid colors and smooth textures.

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Anna Stansfield Anna Stansfield
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Juicy

One of my favorite pieces I did for Inktober a couple of years ago. The prompt was juicy. I went with an NBC Hannibal aesthetic. You would not believe how much fun I had coloring those pomegranates.

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Ina Acuna Ina Acuna
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Shelter in Place Day 53

The attempt to rehydrate the carrots didn't work.

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David Corkery David Corkery Plus Member
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A still life i did a long time ago.

Most of the first six years of doing art, I used pencil. This took me about 10 - 12 hours of work.Most of the work was on the different tones of the tea pot.

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Leanne Sorensen Leanne Sorensen
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Analytical Still Life

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Dean C. Graf Dean C. Graf Plus Member
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Monochromatic still life

Finding edges is a conversation between values. That sounds political. Like Ruskin's observation that drawing is soiling the paper delicately.

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Joselo Rocha Joselo Rocha
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Red Fruits Bowl

A vibrant fruit bowl filled with a variety of colorful mix of red fruits like strawberries, blueberries, and raspberries. The bright, bold colors create a striking contrast against the background.

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Jason Boyd Jason Boyd
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But the rocking starts...

Cheap black pen, 8.5" x 11" sketchbook. Mom's living room circa 1995.

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MPaula MPaula
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Grayscale Still Life

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Joselo Rocha Joselo Rocha
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Red Plum Blossoms

A vibrant exploration of color and line, this piece captures the ephemeral beauty of red plum blossoms in a textured, contemporary sketch style. Perfect for those who appreciate the intersection of traditional botanical themes and modern, expressive artistry.

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Aarefa Tayabji Aarefa Tayabji
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Still Life Drawing with Beach Style Items

During my school days where we were asked to draw a still life of objects we want to go on holiday with. I have chosen a purse, some slippers and lots of cute little things. The colours look fantastic and it is a mixed medium art as I used colours, pencil and acrylics for this.

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Caroline Renee Caroline Renee
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Alien Guitar channel

Pencil sketch still life alien guitar.

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MPaula MPaula
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Abstract Still Life

Oil on wood

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Ty patmore Ty patmore
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Nowhere Fast.

"Nowhere Fast" is a compelling still life that blends mundane domesticity with surreal, slightly ominous undertones. The scene is anchored by a wooden table where a spilled glass, a pack of matches, and an ashtray with a smoldering cigarette suggest a moment of interrupted pause or quiet, long-term stagnation. Dominating the foreground is an oversized, weathered cigarette carton boldly labeled "WARNING", its subtle but unsettling presence hinting at a consumption that leads nowhere. In the background, a vintage RCA television set displays a stylized amanita mushroom, a recurring symbolic motif that adds a layer of psychedelia and altered perception to the otherwise drab setting. The earthy, muted color palette and soft lighting create a feeling of weary introspection, capturing a sense of being perpetually stuck in a cycle. The piece masterfully uses everyday objects to explore themes of vice, time, and the quiet, slow march toward an uncertain destination.

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Rasha Al-Shawwa Rasha Al-Shawwa
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Still life- pencil drawing

@rashawwa

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